gatorcpa
··ΩF InvestiGatorgatorcpa
One of my friends was waxing poetic on the internal condition of one of his guns, noting the fine finishing where no one typically sees it.
So it got me thinking: is a beautifully executed movement of any importance to you, as you typically don't get to enjoy it...or is a great case design and reliability satisfactory enough?
Folks rave about the 30T2rg, the Vacheron 1072, the Patek 12-600, just to name a few. Personally, it just gives me that extra kick knowing the watch has all those nice chamfers, finishing, waves, etc., like further confirmation that someone's hand was involved in producing something of beauty. What say you, oh astute horological brethren?
I decided to focus on collecting Longines because of the superb movements, and although they can be very pleasing to look at most that I've seen aren't decorated in any meaningful way.
Movements got me into Longines as well. Some movements more decorated than others, and decoration became less critical as management came to understand the average consumer cared more about the case and dial appearance than the movement's finish. Still nice perlage on most mainstream movements such as this 19as that's on a relatively common Grand Prize. I always feel good knowing I have 30L on my wrist, even if it looks a little plain.
Lovely example @argonbeam! I think it was @TonyC's exceptional write up of the 14.68z where it's mentioned that sometimes Longines would perlage locations that wouldn't be seen except on disassembly of the movement.
Agreed. Learned tons from him and @ulackfocus before I really started collecting. The Patrick Linder book is all about the movements and is a great resource. My watchmaker says they're nice to work on as well.