For the Hi-Fi enthusiasts among us...

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By the time you switch out the DAC’s you’ll have forgotten the sound. Most of the differences people think they perceive are a bias towards the more expensive one. You’d need to plug them both in and have some kind of A/B switch with no pause in-between to test them.

https://forums.stevehoffman.tv/thre...-shaw-of-harbeth-on-audio-comparisons.327924/

Alan Shaw wrote about this extensively:

The ordinary ear has a completely reliable memory about as long as a goldfish memory: a couple of seconds. Any remembered sonic events separated by a gap greater than a second or two cannot be considered objective. This is because of a conversion process from short to long term memory storage which condenses, simplifies and packages a sensory input into a 'ghost' impression. These impressions are entirely personal to the listener. They rapidly fade and/or take on modifications and restructuring with the passage of time. I would not trust the objectivity of my own audio memory more than a second or two for making business-critical, time separated comparisons. I would not expect others to have significantly better objective audio memory, even if they have a subjective memory of sonic impressions over a lifetime
 
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By the time you switch out the DAC’s you’ll have forgotten the sound. Most of the differences people think they perceive are a bias towards the more expensive one. You’d need to plug them both in and have some kind of A/B switch with no pause in-between to test them.

https://forums.stevehoffman.tv/thre...-shaw-of-harbeth-on-audio-comparisons.327924/

Alan Shaw wrote about this extensively:

The ordinary ear has a completely reliable memory about as long as a goldfish memory: a couple of seconds. Any remembered sonic events separated by a gap greater than a second or two cannot be considered objective. This is because of a conversion process from short to long term memory storage which condenses, simplifies and packages a sensory input into a 'ghost' impression. These impressions are entirely personal to the listener. They rapidly fade and/or take on modifications and restructuring with the passage of time. I would not trust the objectivity of my own audio memory more than a second or two for making business-critical, time separated comparisons. I would not expect others to have significantly better objective audio memory, even if they have a subjective memory of sonic impressions over a lifetime
Quite a few assumptions made in above statement. However if there is ANY difference between subjective and objective then there is insanity. Have you ever met someone possessing 'photographic recall'. It's actually an ability we ALL possess but rarely use.
 
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By the time you switch out the DAC’s you’ll have forgotten the sound. Most of the differences people think they perceive are a bias towards the more expensive one. You’d need to plug them both in and have some kind of A/B switch with no pause in-between to test them.

https://forums.stevehoffman.tv/thre...-shaw-of-harbeth-on-audio-comparisons.327924/

Alan Shaw wrote about this extensively:

The ordinary ear has a completely reliable memory about as long as a goldfish memory: a couple of seconds. Any remembered sonic events separated by a gap greater than a second or two cannot be considered objective. This is because of a conversion process from short to long term memory storage which condenses, simplifies and packages a sensory input into a 'ghost' impression. These impressions are entirely personal to the listener. They rapidly fade and/or take on modifications and restructuring with the passage of time. I would not trust the objectivity of my own audio memory more than a second or two for making business-critical, time separated comparisons. I would not expect others to have significantly better objective audio memory, even if they have a subjective memory of sonic impressions over a lifetime
Well, you can believe whatever you wish obviously. But this line of thinking would suggest that I cannot listen to music playing from the small speaker on my iPhone, then to the same music on my main audio system, and tell which one sounds better if I wait more than a few seconds...

Let me ask you this - if 3 people in the room all independently came to the same conclusion that the sound is better, then are well all having some type of shared hallucination? If none of us can remember what something sounds like for more than a few seconds, wouldn't it be more likely that we all come up with different conclusions after the switch?
 
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Did some work to one of my technics 1200s for my office system. P
Did you upgrade the phono leads? I just dug my 1210 out and I’d forgotten how cheap the leads look.
 
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The Harbeth are very smooth and being driven by the Accuphase units must give you great listening pleasure!
They did sound good, but those components are now long gone. Currently I have Fink Team Kim speakers, powered by a Linear Tube Audio z40+ amp. Significant upgrades, but far more expensive (retail), as well.
 
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Did you upgrade the phono leads? I just dug my 1210 out and I’d forgotten how cheap the leads look.
Well yeah, it is a whole new tonearm. I have cardas iridium coming out of it.
 
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Well, you can believe whatever you wish obviously. But this line of thinking would suggest that I cannot listen to music playing from the small speaker on my iPhone, then to the same music on my main audio system, and tell which one sounds better if I wait more than a few seconds...

Let me ask you this - if 3 people in the room all independently came to the same conclusion that the sound is better, then are well all having some type of shared hallucination? If none of us can remember what something sounds like for more than a few seconds, wouldn't it be more likely that we all come up with different conclusions after the switch?
I may have been misunderstood, i think Projection makes Perception meaning one can attach attributes to something which arent really there. However, differences can exist for the same object percieved simply because the viewpoints have different locations in space.
 
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I may have been misunderstood, i think Projection makes Perception meaning one can attach attributes to something which arent really there. However, differences can exist for the same object percieved simply because the viewpoints have different locations in space.
So what does that have to do with the ability to compare audio sources if you don’t hear them within seconds of each other?
 
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I think the concept being discussed here is comparing two impressions with the aim of making a judgment. Hidden references or bias have an equal effect upon conclusion arrived at as do a very real change in location.
 
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I think the concept being discussed here is comparing two impressions with the aim of making a judgment. Hidden references or bias have an equal effect upon conclusion arrived at as do a very real change in location.
I understand bias certainly, and I have no problems with that concept - psychoacoustics. That is why double blind testing is the gold standard.

But the claim made (via the post linked to previously) is that humans are incapable of determining differences in sound quality with sounds that are not heard within just seconds of each other. That is a completely different thing from potential biases.

I know that this wasn't your claim so I don't mean to pick on you, but can you see how that claim is problematic?

That claim would make pretty much any HiFi expenditure useless because seconds after you hear music you would be unable to tell if another source/system is any better or worse. Any differences in the sound between an echo filled ice hockey arena (where most large concerts are here) and the sound inside a purpose built concert hall would be indiscernible based on this claim, because you cannot physically get from one venue to the other in s second or two. This is a claim that goes to the foundation of listening to music and trying to improve the sound reproduction or acoustics of a concert hall or even your own listening room.

In regards to biases, they are based on expectations. But anyone who has been into HiFi for any length of time, and has listened to a wide variety of systems, will tell you that results sometimes go with expectations and sometimes against expectations. They have for me over and over again, so expecting a very expensive system to sound great and having it not sound great is something I've had happen to me many times. I've also had seriously big improvements when I expected very little (just like the aforementioned DAC upgrade that I was told that I couldn't hear because too much time had passed).

Cheers...
 
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Been thinking about establishing a thread for this for a while, as I suspect I’m not the only member on here who appreciates fine audio as well as fine watches - so a page to share hifi preferences, setups, advice or general chitchat. I’ll start off with the story of how I got into it, if you’ll indulge me...

It’s basically my Dad’s fault. He is a big classical music fan, particularly organ, which doesn’t float my boat at all but that didn’t stop me being impressed by the quality of his 1960s Quad 33/303 amps and electrostatic speaker setup whenever he piped that stuff out, usually at volume bordering on the uncomfortable. Nobody ever forgets their first album - mine was REM’s Automatic for the People and I’ll never forget playing it through that system the day I bought it and just being totally blown away. So when I turned 14 and CD was fast becoming the norm (1992 I think), I asked for and got a player for Xmas. Naturally I needed amps and speakers and, perhaps unbelievably, dad had a spare 33/303 combo knocking around in the loft which he agreed to lend me for the next however-many years, along with a pair of home-made speakers.

The speakers weren’t great so I quickly upgraded them to a set of Mission 752 floorstanders, and that setup served beautifully until a couple of years ago, when my wife got fed up with the cables and old boxes and instructed me to sell up and find something more compact. I did so and then turned up to the Bristol hifi expo where I discovered, being a Quad fan, the newly-released Artera Solus one-box system. It was like my R.E.M. moment all over again; I went to several booths that day but must have returned to Quad at least three or four times. I knew there and then I had to have it and had ordered it within weeks along with a set of S1 bookshelf speakers.

So now I’m enjoying my back-catalogue all over again! Which is great. And even Dad is jealous; he’d never admit it, but the fact he reclaimed his 33/303 amps after all these years says it all! Thanks for reading. Enjoy the

I understand bias certainly, and I have no problems with that concept - psychoacoustics. That is why double blind testing is the gold standard.

But the claim made (via the post linked to previously) is that humans are incapable of determining differences in sound quality with sounds that are not heard within just seconds of each other. That is a completely different thing from potential biases.

I know that this wasn't your claim so I don't mean to pick on you, but can you see how that claim is problematic?

That claim would make pretty much any HiFi expenditure useless because seconds after you hear music you would be unable to tell if another source/system is any better or worse. Any differences in the sound between an echo filled ice hockey arena (where most large concerts are here) and the sound inside a purpose built concert hall would be indiscernible based on this claim, because you cannot physically get from one venue to the other in s second or two. This is a claim that goes to the foundation of listening to music and trying to improve the sound reproduction or acoustics of a concert hall or even your own listening room.

In regards to biases, they are based on expectations. But anyone who has been into HiFi for any length of time, and has listened to a wide variety of systems, will tell you that results sometimes go with expectations and sometimes against expectations. They have for me over and over again, so expecting a very expensive system to sound great and having it not sound great is something I've had happen to me many times. I've also had seriously big improvements when I expected very little (just like the aforementioned DAC upgrade that I was told that I couldn't hear because too much time had passed).

Cheers...
YES your right and I totally agree, looks like i misunderstood my self. How else would anyone walk into a location be it a store, showroom, a friends house and make a judgment to themselves or verbalised to another "that doesn't sound as good or that sounds better" ( being compared to a frame of reference which only exists in one's head at that moment ).
 
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Not home hifi- but car
I recently bought a lightly used mini countryman
Had been trying to drive a Gold Turbo Diesel into the ground- sadly after 16 years the cd packed it in, so rather than get that fixed, I changed cars
The stick system in Minis isn’t terribly exciting- so I ungraded to 4 focal coaxial and 2 focal subs with a plug and play focal class d amp as well… Focal do make excellent kit

Re home system- I might just need to add a sub
Have a eversolo master streamer, a superb Densen beats 130 amp and MA Studio 89 speakers… might need to consider a Kef kc62…
System is excellent - genuinely superb for almost everything, might benefit from having some of the low end work shared tho
 
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Bought this MARANTZ CP 230 on a flea-market in (very) good condition ... will test it this week. Any value if working? Any memories ;-)

 
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In 1964, Superscope acquired a small but prestigious company from Saul Marantz, and began the development and global distribution of stereo amplifiers, receivers, and record players under the Marantz name. Over the next decade, Superscope also began producing its own line of professional portable cassette recorders for consumers around the world.

During the 1970s, Superscope pursued a strategy of marketing Marantz as a premiere brand for discerning audiophiles, and Superscope as a more economical line of stereo music systems and products, “made by Marantz.” The company initiated rigorous quality control procedures, and invested in state-of-the-art computer data and phone systems to improve efficiency.

Competition within the consumer audio marketplace intensified during the 1980s, and Superscope divested many of its assets. The company changed its name to the Marantz Company and, in 1987, Marantz was purchased by the Dynascan Corporation. Within a few years, Dynascan - now known as Cobra Electronics - sold Marantz to Philips Electronics, which included an agreement to allow Cobra to market Marantz Professional products in the Americas.
 
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Any reason why you cut and pasted directly from the link I provided above?
gatorcpa
 
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Bought this MARANTZ CP 230 on a flea-market in (very) good condition ... will test it this week. Any value if working? Any memories ;-)


I remember those back in the day.

Couldn't afford one but I used a Radio Shack version to record my undergrad lectures, and then used a Aiwai version of the Sony Walkman to record postgrad lectures. I went with the Aiwai because it recorded and played back in stereo. Still have it and the leatherette cover.

If that Marantz is anything like my 1980 Aiwai, I hope you like wow, flutter, muffled sounds and soon afterwards mangled tapes.
 
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Cassettes were pretty sketchy from a hi-fi standpoint from the get go, you aren't going to get great sound out of narrow tape running at 1 7/8" per second. A stereo channel is only 0.6mm wide in a cassette. They were ok for a car, a Walkman or a ghetto blaster, but hi-fi, nope.
 
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Any reason why you cut and pasted directly from the link I provided above?
gatorcpa
LMAO i didnt click the link not realising it was a link, you had included in the post. If i did i wouldnt have done the cut and paste. Would have saved me a minute or two. Good post you did