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··Ash @ ΩFbut a bulk purchase might warrant a discount???
Probably not, 400 pages of colour photos in a small production book isn't cheap
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but a bulk purchase might warrant a discount???
I think we should pay full price for this one as a way to support more books like these being written. It sounds like it is a serious book for the serious speedmaster enthusiast/collector and IMO is well worth the expense.
but a bulk purchase might warrant a discount???
I might even buy a copy, and I'm not even a Speedmaster fan.
yet....
I wasn't a Connie guy before landing here. Ha
I'll get one! ...but no point in paying now rather than August right?
Hi Greg, sounds like a profound work 👍
Would you mind to post 2 or 3 representative pages giving an impression on layout, quality of pics etc.
I hope, other than in isnardis book, the pics of the 2915 are taken from one with correct dial, hands and bezel 😜
Hi Greg - question: if we order now, are we billed now, or when the book ships?
A forum large group order would be wonderful as well - and further motivation to order early.
cheers,
Mark
Hi Greg - yes, please. Make sure that the examples photographed are 100% correct, especially the dot-over 90 and BASE 1000 bezels. The very fundamental unmet that your book will get right is that as of today, even many of the examples present in the Omega museum are wrong. For example, parts are replaced with cosmetically different new production items (bezels, crowns, pushers, hands) which result in a "renovated" example being shown, rather than one in its original configuration.
One thing that would be fascinating to see is variants amongst references that were not necessarily configuration-controlled by Omega. For example, cases, casebacks, and bezels were sourced from multiple vendors and used in some cases on the same reference; it would be great to see any differences between these, and know that they're correct (or not).
Mark
Hmmm, base 1000 bezels are one of the most complicate part, because there are a lot of fakes and new parts that were artificially aged. .