For the Hi-Fi enthusiasts among us...

Posts
16,307
Likes
44,925
This could be a good thing. It puts McIntosh back into a privately held company and not an equity firm (who has been using it as a cash register on its reputation).
Bose already has the consumer market and commercial locked up (I have a friend who is a pro-audio dealer/installer for churches and venues and Bose are among his top sellers- way outsell JBL for the same market and their time delay and tower arrays are pretty spectacular in the back of a cathedral) so McIntosh wasn’t competing in either sector.

I see this like when Invicta bought Glycine who was dying on the vine. They pumped a huge amount of capital into them and got them back on their feet. But kept a fairly hands off approach to their design.
 
Posts
6,992
Likes
13,056
"No highs, no lows, it's Bose." If they can keep McIntosh and Sonus Faber separate and not impose the often Bose commercial mediocrity it may work out. But no one equates Bose with true audiophile quality.
 
Posts
16,307
Likes
44,925
"No highs, no lows, it's Bose." If they can keep McIntosh and Sonus Faber separate and not impose the often Bose commercial mediocrity it may work out. But no one equates Bose with true audiophile quality.
Whenever a hit a point of frustration and have to walk away from my stereo system (the joys of vintage hifi sometimes) my wife is used to hearing me yell “fυck this shit- I’m getting a Bose Wave radio and gonna dump all this shit in the bay.”
 
Posts
13,076
Likes
52,058
Ugh … The Devil just bought Heaven over at the forum I frequent. McIntosh is certainly better off being owned by MIT/Bose, a successful and stable business, than an offshore business or private equity. It has changed hands multiple times. I think this is a positive move for the business. I’d imagine the employees do too. Despite my audiophile fixation, Bose products are part of Mrs S and my daily lives. This also explains the apparent rebirth of the 901 line.
 
Posts
1,418
Likes
7,690
Got a small collection of hi-res audio, simplified to this setup.

 
Posts
16,307
Likes
44,925
Got a small collection of hi-res audio, simplified to this setup.

You need to get the McIntosh player app and then you won’t have to buy a Bose

 
Posts
32
Likes
36
MY RIG :
MAGICO S5MKII
2 LUXMAN M10 X MONO
PRE LUXMAN C-900u
TURNTABLES 2 TD124 , SME MODEL 30 MKII. ALL KIND OF STYLUS TRIED AND ACTUALLY USING Dynavector Karat 17DX
DAC (KEEP CHANGING) NOW BRINKMANN NYQUIST MKII
ROON SERVER & TIDAL HIFI

 
IMG_5010.mov - 10.7 MB
Posts
8,006
Likes
57,652
Love McIntosh gear....Loyal longterm customer of their vintage gear

Main room:
2x late 1950's MC30's with Vintage tubes
Early 1960's C22 with Vintage tubes
Klipsch LaScala

Newest production date are the Klipsch speakers at 1976 but I didn't purchase any item new😎.

Back in the early 2000's, I bought a "dead" MA6100 integrated with glass front that was heavily nicotine stained(brownish!) but a nice original wood cabinet.(owners smoked like a chimney, but I guess, did not throw things or place their beer bottles on top of the wood cabinet).

I called up McIntosh in Binghamton, NY and they said they could get it back to factory spec, function and esthetics. Sent it and about 3-4 weeks later they said it was ready and I girded my loins for the pricing. No need, it turned out.

$ 3-400 USD parts, cleaning, labor, tax and shipping to Texas.....and the list of parts were a double handful.

Been using it pretty much 24/7/365 in my office with a McIntosh MR78 Tuner and/or 5-disc Sony 5-disc 333 ES SACD ever since.

Dollar cost average that out! I did make one allowance.....I placed a small 3"x3" fan behind it.

Then, there was the time I ordered a glass for a Mc2255 I bought. They said they did not stock them but would put my name down, that they periodically special ordered glass panels for their popular vintage products. Well 2-3 years later, I got an email and I bought a new panel. The Mc2255 makes for a nice back up when the 30's go into dry dock or I just want to change up my main room. I cannot make the meters jump like I wish with my 104db efficiency speakers, but I make due...First World Problem.

I hope they leave them with some autonomy as have the last 3-4 owners.
 
Posts
13,076
Likes
52,058
Love McIntosh gear....Loyal longterm customer of their vintage gear

Main room:
2x late 1950's MC30's with Vintage tubes
Early 1960's C22 with Vintage tubes
Klipsch LaScala

Newest production date are the Klipsch speakers at 1976 but I didn't purchase any item new😎.

Back in the early 2000's, I bought a "dead" MA6100 integrated with glass front that was heavily nicotine stained(brownish!) but a nice original wood cabinet.(owners smoked like a chimney, but I guess, did not throw things or place their beer bottles on top of the wood cabinet).

I called up McIntosh in Binghamton, NY and they said they could get it back to factory spec, function and esthetics. Sent it and about 3-4 weeks later they said it was ready and I girded my loins for the pricing. No need, it turned out.

$ 3-400 USD parts, cleaning, labor, tax and shipping to Texas.....and the list of parts were a double handful.

Been using it pretty much 24/7/365 in my office with a McIntosh MR78 Tuner and/or 5-disc Sony 5-disc 333 ES SACD ever since.

Dollar cost average that out! I did make one allowance.....I placed a small 3"x3" fan behind it.

Then, there was the time I ordered a glass for a Mc2255 I bought. They said they did not stock them but would put my name down, that they periodically special ordered glass panels for their popular vintage products. Well 2-3 years later, I got an email and I bought a new panel. The Mc2255 makes for a nice back up when the 30's go into dry dock or I just want to change up my main room. I cannot make the meters jump like I wish with my 104db efficiency speakers, but I make due...First World Problem.

I hope they leave them with some autonomy as have the last 3-4 owners.
I suspect they will. Just heard a lot of famous brands (Marantz, B&W, Denon to name a few) may soon be up for sale. Perhaps Bose is well positioned to add more.
 
Posts
16,307
Likes
44,925
Love McIntosh gear....Loyal longterm customer of their vintage gear

Main room:
2x late 1950's MC30's with Vintage tubes
Early 1960's C22 with Vintage tubes
Klipsch LaScala

Newest production date are the Klipsch speakers at 1976 but I didn't purchase any item new😎.

Back in the early 2000's, I bought a "dead" MA6100 integrated with glass front that was heavily nicotine stained(brownish!) but a nice original wood cabinet.(owners smoked like a chimney, but I guess, did not throw things or place their beer bottles on top of the wood cabinet).

I called up McIntosh in Binghamton, NY and they said they could get it back to factory spec, function and esthetics. Sent it and about 3-4 weeks later they said it was ready and I girded my loins for the pricing. No need, it turned out.

$ 3-400 USD parts, cleaning, labor, tax and shipping to Texas.....and the list of parts were a double handful.

Been using it pretty much 24/7/365 in my office with a McIntosh MR78 Tuner and/or 5-disc Sony 5-disc 333 ES SACD ever since.

Dollar cost average that out! I did make one allowance.....I placed a small 3"x3" fan behind it.

Then, there was the time I ordered a glass for a Mc2255 I bought. They said they did not stock them but would put my name down, that they periodically special ordered glass panels for their popular vintage products. Well 2-3 years later, I got an email and I bought a new panel. The Mc2255 makes for a nice back up when the 30's go into dry dock or I just want to change up my main room. I cannot make the meters jump like I wish with my 104db efficiency speakers, but I make due...First World Problem.

I hope they leave them with some autonomy as have the last 3-4 owners.

We have similar tastes- still have my MC30’s but currently on a shelf (attractively displayed) as i have three systems in the house and they just don’t have a home at the moment (i could make a 4th from my back-up gear for the bathroom).

Klipschorns in the living room (with ALK xovers), rebuilt Music reference Preamp (serial #11 from Roger’s first run) into ARC VS55 amp and running a Technics SL-110A with FR64 arm and SPU, Dynaco FM3 tuner which rivals if not has better dynamics than my MR71 (bit of trivia is that the Marantz tuner that preceded the 10B was an FM3 with a Marantz branded faceplate).

Office is OG Sonus Faber Electa Amator (if anyone has a pair of the original wood stands for these- please PM me), ARC SP3A w/ D51 (rebuilt to D76 power supply specs which I run biased around 75% so it cruises and I added two whisper fans strapped to the cage) Thorens 124 with FR54 & FR6SE cartridge (I had a Benz Ace on it but it wanted to plow through the upper platter to the ferrous sub-platter; some strong magnets in that sucker), MR71 tuner rebuild by Terry Dewick and Revox A77 MKIII (rebuilt by me).

Finished Basement carpet on slab- UREI 811’s (Altec 604 era) stacked (but isolated) on custom made LF cabinets housing Gauss 15” drivers (had planned to do JBL 15” drivers but the Gauss seem to blend so damn perfectly and are wickedly fast as they have the same doped accordion surrounds as the Altecs), cabinets are tuned to 30hz and run by a Bryston 4BST, Ashley electronic crossover (to blend them in around the steep 80hz rolloff on the 811’s) and UREI mono EQ’s only on the LF cabinets to tune out the 45-60hz peak from the Gauss drivers in the room. Front end is a Thorens 124 with Ortofon 12” arm & SPU (Cinemag transformers) VPI HW-19 MKIV w/TNT platter, and JMW10 arm with Benz Wood ( Lehmann Decade phono pre since the CJ only has one phono input) Kinergistics KCD40 CD player (still insanely good with redbook CD’s) Otari MX5050-BII2 on factory rolling stand into (currently) CJ PV10a (rebuilt to near silence) feeding an MC2205 (rebuild and upgraded by Terry Dewick) into the UREI’s. I had been running a Berning TF-10 preamp which was spectacular with 3 tube phono inputs, one of them a 4 tube MC pre-pre with variable loading- but it has a grounding problem so had to put my backup CJ into play until I get the Berning sortedCabling is a mix of AQ and Mogami quad shield.

As for Mc I still have my MA5100 and MR71 (got them from the original owner with all the literature) C28 which like you I waited for them to do another run on the glass for a year and got one) C26 and another MR71. Sold my MC2100 (with factory box) that came with the C26 and have kicked myself since.

Also have a pair of 15” Tannoy DU386 drivers (the line after the Monitor Gold’s) but they were in full wall sized built in bookshelves when I found them (I took the baffle boards out of the bookcase just to have them) and have always thought about having someone build cabinets for them but 10 years after getting them that still hasn’t happened.
So many hifi projects, so little time and energy.
 
Posts
8,006
Likes
57,652
I made two different runs to hand deliver and pick up my 30’s, 78 and c22 to Mr. DeWick. Each time he said he was retiring. The last run was 2017, I believe he finally shuttered shortly thereafter, Quiet the gentleman.
 
Posts
803
Likes
2,211
Finally installed a TT wall mount which means I can start listening to this Linn LP12 I bought a couple of years ago and did some upgrades on. This is probably from the first batch that came into the US in the mid-70’s. It had a Grace 704, which I have always wanted on it. That tonearm does not work with the lid though. I braced it, installed a cirkus bearing + sub chassis and a suspension kit along with a Majik motor and power supply. Arm is an origin live OL1 (modded rega RB250) and cart is a Nagaoka MP500. This is one lively sounding deck with PRAT for days! I am going to do some adjustments and put my origin live silver on it.

 
IMG_7826.mov - 16 MB
Posts
16,307
Likes
44,925
The Grace is a nice arm, particularly with their cartridges. They work well on Thorens 14X/16X tables and pre-cut arm boards are still floating around out there. I had one on my 166 and it was a great sounding set-up.

I actually sold mine to a friend who has a 125 and he ran that combo for many years.
 
Posts
803
Likes
2,211
The Grace is a nice arm, particularly with their cartridges. They work well on Thorens 14X/16X tables and pre-cut arm boards are still floating around out there. I had one on my 166 and it was a great sounding set-up.

I actually sold mine to a friend who has a 125 and he ran that combo for many years.
I have a Grace F9 and the super rare F14. They are really fantastic cartridges. I need to have the suspensions rebuilt on mine because they are sagging a bit. But now probably better suited to the low mass arms.
 
Posts
687
Likes
2,553
For anyone sitting on stack of neglected cds (as I was) having gone exclusively vinyl and streaming, shanling just released a v low cost CD transport, the CR60. Will need a DAC (which you probably have your streamer going to) but great to be back listening to cds.

269usd ish. I'm pretty happy so far

Also a ripper, but not of much interest to me.
 
Posts
431
Likes
986
I've kind of drifted back towards CDs lately. It's a bit of a weird way to do it but I went from streaming to vinyl to "reconnect" with music as I missed owning my own music collection and the experience of vinyl, but then because of the ridiculous cost increases in that space and the unreliability of vinyl, I started picking up dirt cheap used CDs and went through the hilariously obvious "Wow yeah that's right, this format is so much better" phase, as if we hadn't already kinda worked that out by the 90s.

These days my approach is vinyl is by exception for albums I really love, and CD for everything else. I have a Pioneer SACD player, but it can also function as a regular CD transport and that's how I use it, outputting to my amplifier's DAC. I only own one SACD out of curiosity. (Bjork - Vespertine)

Next year I wouldn't mind doing a bit more CD ripping and stand up a Plex Music server for lossless streaming at home. But I kind of enjoy the routine of handling physical albums.
 
Posts
7,717
Likes
26,795
I've kind of drifted back towards CDs lately.
I listen almost exclusively to CDs, and watch films on DVD/Blu-Ray. I feel much more comfortable with physical media that I own, as opposed to relying on big companies and streaming.