Ok ... (the insanity of car auctions.)

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There is no insanity here except if you don't know about how classic cars are rebuilt.
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The transmission is here
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Suspension
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Engine. The original racing engine.
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The all important VIN

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The History of CHASSIS NUMBER 0406 MD

Claiming period racing use and initial ownership by one of Italy’s better-known Scuderia principals, this long-secluded 500 Mondial has the history to warrant a thoughtful restoration. Chassis number 0406 MD is sequentially just the second Mondial built, and one of 13 first-series examples originally bodied as Pinin Farina spiders.

According to the research of marque expert Marcel Massini, and as confirmed by copies of factory build sheets, this Ferrari was assembled during March 1954 and finished in Rosso Corsa paint over a Similpelle Beige vinyl interior. The following month the car was sold by Enzo Ferrari to Franco Cornacchia, the Milan-based sports car dealer who also helmed the Scuderia Guastalla, one of the region’s most significant privateer racing teams.

In April 1954 the Ferrari was piloted by former factory driver Franco Cortese and co-driver Perruchini at the Coppa della Toscana, finishing 19th overall and 2nd in class. It is interesting to note that Cortese is listed as the owner on the factory build sheets, and his name appears several times in the engineering notes, prompting speculation that the car was purchased by Cornacchia specifically for Cortese’s use.

Cortese was a particularly significant driver for Ferrari during its earliest years, boasting the distinction of piloting the first Ferrari built to the marque’s first overall victory. His win at the 1947 Rome Grand Prix in the new 125 S was an early indication of Maranello’s engineering mettle, and he managed to achieve three more wins during 1947 before easing out of the Ferrari stable by mid-1949.

In May 1954, Cortese and Perruchini drove the Mondial to a 4th in class and 14th overall finish at the Mille Miglia, after which the car was rebodied by Scaglietti. Cortese returned to action in late June, finishing 8th in the Golden Shell race at the Imola Grand Prix.

At the Imola Grand Prix in June 1955 Cornacchia entrusted the Mondial to Joao Rezende Dos Santos, by which time the car had been repainted in white with a tri-color stripe on the hood. Unfortunately, the spider retired during the formation lap, apparently experiencing some mechanical failure. Undeterred, Dos Santos returned with a vengeance at the Bolzano-Mendola hillclimb in early July, roaring to a 4th-place finish.

In July 1955, Cornacchia sold the Ferrari to Angelo Benzoni of Milan, and a month later Cortese returned to action at the Daily Herald International Trophy at Oulton Park, although a clutch failure after 10 laps resulted in another DNF. In March 1956, Benzoni drove 0406 MD at the Vigorelli Trofeo at Monza, finishing 6th, and three months later he was joined by Naust to campaign the Targa Florio, but they were unable to complete the epic Sicilian race. In late June Benzoni teamed up with Palermo resident Domenico Tramontana at the Gran Premio Supercortemaggiore at Monza, and the following month the owner sold the Ferrari to the Sicilian co-driver.

In 1958, the 500 Mondial was exported to the United States, and four years later it was sold from R.W. Devereau of San Francisco to Hal Rudow of Washington, who raced the spider at the Evergreen Trophy race at Pacific Raceways in October 1962. A year later Rudow sold the car to Stanley Surridge, and he replaced the original engine with an American V-8 (a common practice at that time). At some point over the following two years of racing activity the Mondial was crashed and suffered fire damage.

By the early 1970s the Ferrari was acquired by marque specialist Ed Niles, who soon sold it without an engine. After briefly passing through two Maryland-based ownerships, the spider was sold to Walter Medlin by 1978. The Mondial has since been preserved in its race-damaged condition, accounting for 45 years of seclusion from the collectible Ferrari niche. The car continues to wear its factory-issued chassis plate, and it is accompanied by components including rear-axle corners and its matching-numbers gearbox. It is also accompanied by a larger, 3.0-liter Tipo 119 Lampredi inline-four engine, such as would have been used in a Ferrari 750 Monza.

It is worth noting that genuine 500 Mondial examples are very rare; chassis number 0406 MD is further distinguished by being just the second car built, and having been raced and owned by one of postwar Italy’s best-known privateers. It is furthermore desirably documented with color copies of the original factory build sheets and CSAI homologation papers.

With a large budget, Ferrari will rebuild the body and get the engine running. Using as many parts as possible and refabricating the rest. You have an ultra rare racing Ferrari that will be worth in the 10 Million + range.

https://www.watchprosite.com/automo...-trans-susp/1076.1552976.15234516/1691604835/


https://www.watchprosite.com/automotive/history-of-this-car/1076.1552976.15234551/1691604835/



If you ever watch a show like this it is what goes on.

https://www.motortrend.com/features/mike-halls-400-car-property-canada/
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This with it's data plate still there.
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Became this and it flies.

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More examples of where someone pays millions for a wreck to restore as long as it has an identification plate, we're good to go. This one is for a British Museum.

Aircraft restoration at IWM Duxford
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Ferrari Restoration or completely rebuilding. Heritage Workshop for billionaires.
Ferrari%20Classiche-12.jpg Ferrari%20Classiche-14.jpg Ferrari%20Classiche-11.jpg Ferrari%20Classiche-22.jpg Ferrari%20Classiche-10.jpg Ferrari%20Classiche-17.jpg Ferrari%20Classiche-20.jpg Ferrari%20Classiche-21.jpg Ferrari%20Classiche-19.jpg


Here are completed race cars
Ferrari%20Classiche-23.jpg Ferrari%20Classiche.jpg Ferrari%20Classiche-3.jpg Ferrari%20Classiche-2.jpg


And the best part. You get a certificate of originality.

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I think none of the original bodywork will be kept except maybe upper deck that has little to do with the strength of the or rigidity of the vehicle. Most likely the part of the frame, engine, transmission and the VIN is all that is needed. Then someone is going to have Ferrari build a new body for the car and get Ferrari to provide an authentication certificate.
 
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Original story I read that in order for the car to be considered for a full factory rebuild (at cost of course) the VIN# was needed.

With a $2M vin and a +$4M rebuild it would be a over $10M car
 
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Original story I read that in order for the car to be considered for a full factory rebuild (at cost of course) the VIN# was needed.

With a $2M vin and a +$4M rebuild it would be a over $10M car

Where did you read it would cost $4M to rebuild the car? $4M for a new car seem extreme no? I assumed $1M for parts, labor, shipping. All the major parts are there to build the car to a reasonable amount of original content including the VIN to be historically correct. It is estimated that the value of the completed car could be in the $10M range because of the history and rarity.



Chip Foose is a local legend. Had his owe TV show too.
For a non-Ferrari rebuild from just an empty body or frame, builders/restoration shops are building classic cars for less than $200K and you can get a crate motor of your choice. Or the skies the limit in Huntington Beach.

https://www.chipfoose.com/completed-projects/
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So I was chatting with a vintage F1 car collector as one does…

they look at photographs of the roll hoop welds as those don’t change and as they are mostly hand built these can be finger prints for vintage F1.

Ah, now that's a useful piece of information. Guess the pattern of the welds is as much a form of identity as the hamon on a katana or a wakizashi is.

anything similar for those short oval cars?

Yes and no. Buying a chassis from a specialist manufacturer such as Howard Cole (HCD) or Colin Higman really only took off in the late 80s / early 90s, so up until then, most cars were one-offs anyway. Which means it's easier to trace a car's history if you know what you're looking for. In this case, the car I was researching was built in 1975, originally as a BriSCA F2; it had a very distinctive shape to the roof line of the driver's cab, and was fitted with coil-over springs all round and a live read axle instead of the then much more common solid rear axle and leaf springs. Those features on the car never changed, so after a while, it becomes easy enough to pick the thing out in photographs.

It was actually a pair of photographs with the car sporting different liveries, but which were purported to have been taken at the same meeting, that then got me questioning parts of its history. And then of course, you disappear down a rabbit hole...

What was quite interesting is that Howard Cole, its original owner and builder, used it as something of a test bed, and some of his design ideas then got carried through to his later cars.

The Colin Higman-built cars were another headache entirely. Colin had a basic chassis and bodywork design that then got customised according to a driver's specific needs. And then every time he completed a car, he destroyed the drawings. So while all the cars he built had a particular "look" to them and seemed to be much of a muchness, they were all in fact quite unique.

Which creates a whole world of problems when trying to scratch model a Higman from photographs. But that's another story... 😟
 
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Ah, now that's a useful piece of information. Guess the pattern of the welds is as much a form of identity as the hamon on a katana or a wakizashi

It's just a damned shame they didn't have cameras back in 1560 !
 
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It's just a damned shame they didn't have cameras back in 1560 !

IIRC, it was (and still is) a "thing" in Japan to copy / draw the hamons of famous swords. They've got some 16th & 17th century katanas on display in the Japanese gallery in the British Museum, and they truly take your breath away. Beautiful works of art, but oh-so-deadly.
 
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It was Jerry Sienfeld, and sold via European Collectables which is down the street from me. Turns out that when you start applying Ferrari rules to Porsches people get upset. Porsche blessed the car but my intel was that there was an issue with the engine not being the original engine and not disclosed it was an in-period replacement or something similar. Everything got sealed and was settled out of court. I was literally talking with their sales manager two weeks ago and decided not to bring it up lol.
@Foo2rama, Yes; I was spacing out on millionaire car collectors 😀. Jerry S is legendary in the vintage Porsche world (Jay is not). When you see reruns of Seinfeld often times there is a copy of Panorama or a Porsche calendar on the set. That’s a cool touch.
 
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@Foo2rama, Yes; I was spacing out on millionaire car collectors 😀. Jerry S is legendary in the vintage Porsche world (Jay is not). When you see reruns of Seinfeld often times there is a copy of Panorama or a Porsche calendar on the set. That’s a cool touch.

Both a nice guys, Jay is a pleasure when he used to show up to local shows like the JCCS, which used to be phenomenal. The Japanese Classic Car Show in SoCal was very epic and Jay would drive his Mazda Cosmo down to show.

I’ve actually been lucky to see a few of cars in Jerry’s collection that are not well known. I had an invite to go to Leno’s untill he decided to stop allowing people to see his collection after an incident with an amateur racer and budding auto journalist screwed it up for everyone.
 
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IIRC, it was (and still is) a "thing" in Japan to copy / draw the hamons of famous swords. They've got some 16th & 17th century katanas on display in the Japanese gallery in the British Museum, and they truly take your breath away. Beautiful works of art, but oh-so-deadly.

Yes indeed they are works of art, unfortunately I cant afford to extend my collecting interests to period Katana but I do have a few correctly manufactured ( not wall hangers) modern made Katana which whilst every bit as good ( better steel) as the originals have no vintage value.

Some of the WW2 Japanese imperial army examples tend to turn up at quite affordable prices, was looking at an officer issued one the other day at a vintage memorabilia seller which was a cut above the normal issued blades, was tempted and the price was very reasonable.
A lot turned up here in NZ as NZ was part of J force.
 
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Yes indeed they are works of art, unfortunately I cant afford to extend my collecting interests to period Katana but I do have a few correctly manufactured ( not wall hangers) modern made Katana which whilst every bit as good ( better steel) as the originals have no vintage value.

Some of the WW2 Japanese imperial army examples tend to turn up at quite affordable prices, was looking at an officer issued one the other day at a vintage memorabilia seller which was a cut above the normal issued blades, was tempted and the price was very reasonable.
A lot turned up here in NZ as NZ was part of J force.

As an engineer who specialised in materials technology, I find the manufacturing process absolutely fascinating. Makes you realise just how skilled the Japanese swordsmiths are, especially given that they do it by eye / by feel rather than by numbers.

I'd love to own one, but I've got a motor racing archive that has this annoying habit of vacuuming up my spendables. 😟
 
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As an engineer who specialised in materials technology, I find the manufacturing process absolutely fascinating. Makes you realise just how skilled the Japanese swordsmiths are, especially given that they do it by eye / by feel rather than by numbers.

I'd love to own one, but I've got a motor racing archive that has this annoying habit of vacuuming up my spendables. 😟

And in my case a vintage watch collecting habit thats sucking up all my finances too lol

I too am an engineer from a long line of engineers so am doomed to be totally fascinated by the process involved from smelting to finishing.

I tend to stick to Vintage cars, way less expensive to maintain / restore than motor racing hobbies.

Current project and next project.

 
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And in my case a vintage watch collecting habit thats sucking up all my finances too lol

I too am an engineer from a long line of engineers so am doomed to be totally fascinated by the process involved from smelting to finishing.

I tend to stick to Vintage cars, way less expensive to maintain / restore than motor racing hobbies.

Current project and next project.


Makes me glad that vintage ladies' watches are (well, for the most part) pretty affordable. But yes, engineering has so many interesting rabbit holes to fall down.

It actually dovetails nicely with my archive. Collecting ephemera tends to invariably throw up some interesting stuff even if it's not what you were originally looking for. I recently acquired a job lot of Motoring Newses from 1987 which had a whole load of articles about the much-heralded Swallow F3 car - whose tub was built with chopped strand GFRP, the same as used for small boats. Let's just say the project eventually sank without trace...

Those cars are intriguing. Not my area of expertise (I'm into original Minis), but I'd guess 1920s, early 1930s, so plenty of carpentry work and bespoke coachwork involved. Take my hat off to you keeping these old girls on the road. 👎
 
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I followed a modern mini up to the delta this afternoon along the levy road. That thing is as big as my Honda civic. There is just something wrong about a Mini Cooper SUV.
... and I know next to nothing about cars. (Although I like the Preston Tucker story. I got a toy Tucker model at the F. F. Copula winery.)

Could have easily got into airplanes or steamboats. Watches though are easier to store.

Swardsmithing. I remember a documentary (Sagan's Cosmos? ) what showed the metal being folded over and over. Always found that impressive. The mathematical equivalent called 'simulated annealing' drives a lot of modern statistical methods. It is really a good way to randomize a data set. Such things lay at the heart of neural networks. Part of the reason no one understands what goes on inside these things.
 
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I followed a modern mini up to the delta this afternoon along the levy road. That thing is as big as my Honda civic. There is just something wrong about a Mini Cooper SUV.
... and I know next to nothing about cars. (Although I like the Preston Tucker story. I got a toy Tucker model at the F. F. Copula winery.)

*everything* is wrong about one of those things if you've ever owned an original Mini... The latter have their shortcomings too, but get away with it because they are just brilliant fun.

When I mean shortcomings, it's the tiddly five gallon tank, electrics that throw in the towel whenever it rains (a rubber glove over the distributor cap works wonders though, in tandem with an aluminium plate zip-tied to the grille), an idiosyncratically squiffy driving position, an engine that runs out of puff above 60 mph, the noisy cabin, the hydrolastic suspension... But who cares, it's such a great little car. 😎