Since I've shared how the collection has evolved here is a bit about the newly created full collection image.
The full collection Apollo instrument panel image is not an actual fabricated piece but is a create image. It originally started with my full scale design based on the idea that a print or poster could be produced when it was done and the case backs would be a 1:1 scale. The final printable layout is 16" x 9" and was also done in that size to be the same as the 16:9 aspect ratio on a computer screen so the final image would fill the full HD screen.
Here is my original drawing.
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I then photographed each of the 26 pieces in a light box so they all had consistent lighting on a black background.
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With these two things completed I forwarded it on to Neil Smith the fantastic graphic artist and animator to create the high resolution image. He also created the 3 animated videos for my collection and is most widely know for this great animated
Apollo Missions Video. One of the great things about the resolution of the image is the detail in the panel surface itself. You can see the small scratches and texture in the Duke piece above.
A few small revisions were then made. The first was the addition of small Velcro tabs, at my request, as you would see them on an actual spacecraft instrument panel. While I thought they would add some visual interest I decided it was just a bit too much and a cleaner panel was better. I did however think something was missing so I added the blue LUNAR CONTACT light to mark the beginning of the landing missions.
EDIT - FYI...Here is the actual LUNAR CONTACT light. I think Neil did a great job matching the color and look of it in the final image.
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Here was the discarded proof with the Velcro.
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That said, now that the image is complete I will now move onto the production on an actual fabricated panel to display the pieces. The panel will be created by the same company that did the instrument panels for the movie
First Man. Each piece will be recessed into the panel as a real instrument gauge would be and then covered with an individual round piece of museum quality anti-glare glass to protect the pieces and prevent the signatures from fading from UV light exposure.
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